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Tomasz Broda — From Roobens to Pikaso. Let’s Make Some Great Art 12.12.14–02.02.15 Exhibition Wernisaż: 12.12.14 (piątek), o godz. 18.00, wstęp bezpłatny, Woliery (V piętro)

From Roobens to Pikaso. Let’s Make Some Great Art is Tomasz Broda’s most recent project. Its title is a joking reference to “from … to …” exhibitions of works by great masters, which are held each year all over the world and tempt museum-goers with the names of the most renowned artists. For the past few years, Broda has been making works which refer to the ‘global’ masterpieces and enter into a creative dialogue with them. Instead of the traditional medium of painting, he uses everyday objects, sponges, bottles, tights and cables. Using these items to reconstruct pictures that are icons of art history, he revisits his great predecessors’ oeuvre ‘in his own way.’
 
He also demonstrates that works by artists who used to be the key players of the avant-garde revolution have now acquired the very same status of masterpieces of global art. He thus subjects Rubens’s and Rembrandt’s canvases to the same transformations as Warhol’s portrait of Marilyn Monroe. Broda emphasises the process of the circulation of images in the contemporary culture, which have lost Benjaminian aura and become a commodity that is reproduced by the millions.
 
“Pikaso, Rembrant, Roobens, Vangock, Gogwin and Warhall – these are the main characters in an exhibition that showcases artists of global renown who have never before had the chance to stay under one roof. The exhibition is a personal attempt to address an issue that is extremely painful here in Poland. Lacking Picasso’s Guernica, Rembrandt’s Anatomy Lesson of Dr Nicolaes Tulp, Van Gogh’s Sunflowers or Piero della Francesca’s profile of Federico de Montefeltro, not to mention a whole lot of other priceless treasures that make the walls of the Uffizi, del Prado, the National Gallery, the Louvre or the Zwinger buckle, are we really doomed to suffer from an eternal complex about Western Europe?
 
The answer is: No! Instead of grumbling about this lack, let’s turn our weakness into a virtue. Let’s substitute Picasso with Pikaso, Rembrandt with Rembrant and Rubens with Roobens. Let’s treat the global art history as an invitation to have fun. ‘In Poland, everybody pretends to be somebody else,’ Mrożek once remarked. Why don’t we build upon this tendency instead of calling it a shameful habit. Let’s use the originals as a springboard to find a new quality. Let’s make some great art.”
 
Tomasz Broda
 
 

Kuratorka Curator Anna Borowiec Published on: 24.11.14 Share: Facebook, Twitter
Tomasz Broda

Urodzony w 1967 roku w Kaliszu. Studiował w Państwowej Wyższej Szkole Sztuk Plastycznych we Wrocławiu (dyplom z wyróżnieniem w pracowni projektowania graficznego prof. Jana Jaromira Aleksiuna w 1992 r.). Zajmuje się rysunkiem, ilustracją książkową i prasową, scenografią. Publikował m.in. w „Gazecie Wyborczej”, „Rzeczpospolitej”, „Przekroju”, „Odrze”.

Na własnej twarzy za pomocą przedmiotów codziennego użytku tworzy maski, które prezentował w telewizyjnych programach, m.in. w „Wieczorze z Jagielskim”, niemieckiej wersji „Ulicy Sezamkowej” oraz w autorskim programie „Zrób sobie gębę”. Autor ilustracji do książek Zrób sobie Wrocław Mariusza Urbanka, Puszka-cacuszko Lecha Janerki, Przygody przyrody Zbigniewa Macheja i Tajemnice świętej dzielnicy Beaty Maciejewskiej.

Siedmiokrotny laureat Międzynarodowej Wystawy Satyrykon (Grand Prix w 1997 r., Złoty Medal w 1993, 2006 i 2014 r.). Zdobywca m.in. Nagrody dla Ilustratora Polskiej Sekcji IBBY w konkursie Książka Roku 2008. Laureat Nagrody Prezydenta Wrocławia w roku 2000. Prowadzi pracownię ilustracji w Akademii Sztuk Pięknych we Wrocławiu.

strona: www.tomaszbroda.pl
Tomasz Broda was born in 1967 in Kalisz. In 1992, he graduated with honours from Professor Jan Jaromir Aleksiun’s studio of Graphic Design of the State Higher School of Fine Arts in Wrocław. He specialises in drawing, book and press illustration, and stage design. He has had his drawings and illustrations published in many newspapers and magazines, including "Gazeta Wyborcza", "Rzeczpospolita", "Przekrój" and "Odra".

Broda uses everyday objects to make masks on his own face, which he showed in TV programmes, including the talk show "Wieczór z Jagielskim", the German version of "Sesame Street", and his original programme "Zrób sobie gębę". He made illustrations for Mariusz Urbanek’s book Zrób sobie Wrocław, Lech Janerka’s Puszka Cacuszko, Zbigniew Machej’s Przygody przyrody and Beata Maciejewska’s Tajemnice świętej dzielnicy.

He has received seven prizes at the Satyrykon International Exhibition (Grand Prix in 1997 and Gold Medal in 1993, 2006 and 2014). He also won the Best Illustrator prize in the 2008 Book of the Year competition organised by the Polish Section of IBBY as well as the Mayor of Wrocław’s award in 2000. He runs an illustration studio at Wrocław Academy of Fine Arts.


www.tomaszbroda.pl
Tomasz Broda - "Pikaso" Tomasz Broda - "Wangog" Tomasz Broda - "Wangog" Tomasz Broda - "Frida Kalo"
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