Avant- garde and anthropology. On the book “Travellers Without a Map or Passport” by Tomasz Szerszeń.

Can an anthropological journey into the tropics become an artistic experience? Where does art end and anthropological research begin (or the other way round)? Can the most radical artistic gestures retain their revolutionary potential? Can the legendary avant-garde magazine Documents be considered as a paradigm for contemporary art? The starting point for the conversation led by Magdalena Skowrońska will be Tomasz Szerszeń’s book entitled “Travellers Without a Map or Passport” (słowo/obraz terytoria, 2014).