Piotr Blajerski’s exhibition revolves around two equally important and mutually complementary symbolical notions: cognition and its limits. The former has accompanied man since time immemorial, and nowadays it functions as the theory of knowledge, i.e. epistemology. The latter term pertains to those areas of knowledge and cognition, including art and – more broadly – culture, that escape our cognitive abilities. It introduces an element of interplay between that which is perceptible / detectable by senses and that which can be understood thanks to intellect or intuition.
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