Why has Beata Stankiewicz-Szczerbik, a well-known glass artist, prepared an exhibition featuring very few glass works, and why are those present not of utilitarian nature? Why is the artist interested in overlapping meanings and what can it lead to? How can one interpret her use of well-known iconographic patterns in completely new arrangements?

During a subjective guided tour of the exhibition entitled Superpositions, Agata Saraczyńska, an art critic and journalist who has often written about her friend’s art, will attempt to answer these questions.